How To Write A Screenplay:

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Suggested by Bart Scantlin

 

Glengarry Glen Ross

Not a sympathetic character in the room, but you really want to know what happens next. Very clever:

 

Network

If you think writing is a moral job then watch this. It might just change your ideas. Ban the poets from the Republic, anyone?

 

 

Thanks Bart. Anyone got any other favourites? 

 

The Wire

If you've never seen this particular masterpiece watch Charlie Booker's review first to put the show in context:

 

 

Then take in these famous scenes. All high-concept, even stagey, set pieces. But they work:

 

Omar testifies against Bird. Series 2. 

 

Chess

 

Expletive deleted

 

The Photocopier Routine

 

 

And finally, some things just stay true. Same police dept, a decade earlier - a different show, same gag:

 

Time of the Gypsies

Rites of passage. Astonishing.

 

Assorted

An homage to the Eddy Izzard take on Star Wars

 

You must remember this, surely?

 

 The downfall of many a creative project

 

To think Hartlepool inspired this man to say 'I've seen things.'

 

The real Eddy Izzard on some transatlantic differences in the approach to filmmaking - (caution for sensitive ears)

 

He could have been a contender, you still can

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3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."

 

Since 1995 Phil Gladwin has written or edited screenplays for all of these people:

BBC.jpgBBC Wales.jpgITV1.jpgFremantle Media.jpgGranada Television.jpgSarah Jane Adventures.jpgThe Bill.jpgTrial and Retribution.jpgHolby City.jpgRDF Media.jpgWorld Productions.jpgCasualty.jpgRadio 4.jpg

 

Sound Bites

"Nothing I write about my journey with Phil can adequately describe his patience, diligence and the wonderful way he has coached and counselled me in all aspects of screenwriting. Phil is an amazing person to work with because if he thinks your work good he tells you so and if not, well he tells you that too, but then immediately goes about working with you to improve. I've learned so much. Thanks Phil." Bev McMullen, Kamloops, British Columbia, Canada

"As senior media executive in the states with over 20 years experience producing TV and running a major TV/Recording Studio I've recently dedicated myself to writing full time... I'm incorporating Phil's work into my original feature projects, and already can see and feel an improvement. And this is just the start for me... I'm thrilled I found Phil... You will be too! Best to all of you..." Andy Kadison, New York, NY

"Phil Gladwin shares to the point technical tips. He joins these with even more valuable insights into how to "tap into" your heart and soul writing. Proven & tested real time exercises get you jump started WHENEVER you need it. Thanks Phil" John Harrison, Castle Rock, Colorado

"The screenwriting goldmine newsletter from Phil Gladwin is the single most useful tool for a screenwriter to have for its straightforward and clear attention to the details of screenwriting that I haven't found in any other workshop or book on the subject. " Keith Tracy, Punta Gorda, FL, USA