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THE HEART OF GOLD

The Heart of Gold is a brand new, members only, highly motivated concentrated discussion group for those people who take their writing very seriously. Run by professional screenwriter/editor Phil Gladwin with occasional contributions from other industry professionals, it concentrates on professional screenwriting techniques and insider conversations about the industry as it works in real life. You also get included in the price of the first month's membership the entire Screenwriting Goldmine writing package and the Goldmine Guider - an additional value of £39. 

Note that due to the intensive nature of the conversations inside the Heart of Gold membership of this inner circle is limited to 250 members. Once we have these 250 we will close the membership, so time is of the essence if you are thinking of joining.

If you want to join now, then you need to register for a free account on the forum, then log in, and once you are logged in either click on the Heart of Gold forums or come back here to follow this link and get yourself a GOLD level subscription. Once you have subscribed you will get immediate access. Shortly after you have subscribed we will send you an email that containing links to your free downloads.

What People Say:

'Phil has a comprehensive understanding of dramatic structure and genre, enthusiasm for developing and strengthening stories, extensive knowledge of the development process, an understanding of the inner workings of drama commissioning across all channels - and first hand experience as a writer of the tricks and traps of the trade.' Kath Mattock (Double Bafta winning producer of 'The Cops', 'Buried' and 'The Queen's Sister'), London, UK

'Phil Gladwin is a patient, inspiring and practical script editor. He's an original, imaginative and disciplined screen writer. His ability to draw on both disciplines equips him exceptionally well to assist both new and established writers achieve the full potential of their screenplays.' Sophie Balhetchet (Former Chairman of the Independent Programme Producers’ Association), London, UK

THE LOGLINE CLINIC AND THE SCREENPLAY WORKSHOP

If you're still just experimenting with your writing and you're not ready to join the full on Heart of Gold experience you can still get feedback from other members on your writing. For a single payment of £9 you can enjoy one year's full access to The Screenplay Workshop and the Logline Clinic, during which time you can post for review as many screenplays, storylines, scenes, as you like.

If you want to join the Clinic and the Workshop then you  need to register for a free account on the forum, then log in, and once you are logged in either click on the Clinic or the Workshop forums or come back and follow this link to get yourself a SILVER level subscription. You'll get immediate access to the Workshop and the Clinic. 

READ OUR SITE: FREE SCREENWRITING TIPS AND TECHNIQUES

The Screenwriting Goldmine has a mass of free material on writing for the screen. We have "how to write" articles and tips, downloadable audio interviews with industry experts, constantly updating job pages, both writing and general industry worldwide, an inhouse screenplay coverage service, and lots more.

Use the menus above to find the free information that you need to help you become a better screenwriter.

FREE SCREENWRITING AUDIO INTERVIEWS

Listen to these in depth free audio interviews on the site, or download them for your mp3 player:

COMMUNITY FORUM

As well as the Heart of Gold we also have the number one screenwriting forum on the internet. Register for free to gain instant access to our community and years of discussions about writing, tv and movies.

FEATURED RESOURCES

Just have a browse through this small selection of what is available on the site, and remember there is much, much more inside!

 

BBC Writers Room - What They Really Want (Paul Ashton Interview)

PaulAshton.jpgPaul Ashton runs the team who act as the first line of defence for the BBC as they endure the constant seige of scripts from hopeful screenwriters. In their search for new talent they receive, consider, and respond to around 10,000 screenplays every year. Can there be many people in the world with such a wide experience of the pitfalls committed by new screenwriters? And Sally Brockway asks him all the questions you would ever want answering about that. If you've ever sent a script off anywhere, this 40 minutes+ downloadable interview is simply unmissable.
 

How To Write & Produce Your Own Sit-Com (Silvia Manning Interview)

silviamanning85-115.jpgSilvia Manning is an American actress who decided she was going to write her own sit com, and was going to get it on screen, and nothing was going to stop her. Listen to her in conversation with Sally Brockway as she describes the process, from those early days of having an idea and nothing else, all the way through to selling the thing to a network and getting it all in the can.

 

Free Screenplays, Movie Screenplays - it's a Mistake to Just READ Them!

It’s not too surprising that many people start to write a screenplay without ever having read any. We’ve all seen thousands of hours of television and thousands of movies, so it’s easy to assume that has given us an instinctive understanding of the form. That is true for some lucky people – but even they can’t have an instinctive understanding of how a screenplay looks on the page – there are certain conventions you must follow if you don’t want to get your screenplay filed in the laugh-and-junk-pile. (And, you know, just reading free screenplays isn’t enough. You should be working on them too.) Here’s a guide to where you can get masses of free screenplays – and what you should be doing with them when you have them.

 

Easy Steps to Polish Your First Draft!

OK - so... imagine you've finished your first draft, and you've left it alone for a couple of weeks so that you can get some perspective on it. I know it's burning a hole through your desk and you are desperate to hear what people think, but the worst thing you could possibly do at this point is give it to anyone else to read.

 

What Comedy Producers Want (Vanessa Haynes Interview)

vanessahaynes85-115.jpgThis is a great downloadable interview with Vanessa Haynes, who at the time of interview was the Head of Development at Baby Cow. If you don't know of Baby Cow this is one of THE great UK comedy production companies. The company is owned by Steve Coogan (who is probably best known for creating and playing a character called Alan Partridge), and over the last decade has produced shows including Gavin & Stacey, The Mighty Boosh, Ideal, Human Remains, Nighty Night, Saxondale, Marion and Geoff - and many many more. In this interview Vanessa talks to Sally Brockway of Screenwriting Goldmine about the best way to get her attention as a writer!

 

"I Hire The Writers For Eastenders" (Sharon Batten Interview)

Sally Brockway talks to Sharon Batten, the Script Producer of one of THE UK's most prestigious - and most popular soaps, Eastenders. Do you want to know what it's like to be a writer in such a high pressured environment? And how you can get to BE one of those writers? Listen up... (Downloadable audio interview.) 

 

Writing For EastEnders - Richard Lazarus Interview

RichardLazarus85x115.jpgEastenders is one of the three most popular television dramas in the UK. In this special, extended length, audio interview, Richard Lazarus talks about his journey from own label baked beans to being a core writer on this four times a week slice of urban naturalism. (Er... that's a technical term for "kitchen sink drama" - the sort of thing that we Brits do so well.) He gives the inside story on how the whole writing process works. Serial dramas like this, with their 200 + episodes a year and their constant hunger for new writers, often act as the gateway to the industry, so if you have any ambition to work as a screenwriter you could do worse than to put aside an hour and listen to this in depth analysis of how he does what he does.
 

Dealing With Rejection Part 1 - Emotional

depression85-115.jpg"I finally got it together and managed to conquer all my demons and sent my screenplay out to an agency/production company/external reader. They said the story was weak/the dialogue was bland/ trashed it completely/ suggested I should give up writing. I'm really hurt by this. I'm not so crazy that I thought my very first submission would get bought, but I'm finding the negative criticism really hard to throw off. Now I'm even not sure I have it in me to be a writer. What do I do?"

 

Dealing With Rejection Part 2 - Practical

smiley85-115.jpgThe BEST practical way of dealing with rejection. A short, sharp, pep talk that goes against most conventional wisdom.
 

Screenwriting For David Milch on HBO's Deadwood (Bryan McDonald Interview)

Ever had a dream like this? You send in a few pages of your script to your favorite TV show. Within hours you get a call- they like it. No, they LOVE it! Within hours they fly you out there. Put you in a hotel. Hire you to start work on the show. You get to work on two series, hang out on set all the time, get to work with David Milch (Deadwood and NYPD Blue) on a daily basis - and suddenly the people who matter are queuing up to read your movie script. This interview is with Bryan McDonald. That screenwriting 'dream' was his reality. Listen as he tells you how he did it...

 

Easy to Follow, Step By Step, Fully Professional Screenwriting Course:

Since 1995 Phil Gladwin has written or edited screenplays for all of these people:

BBC.jpgBBC Wales.jpgITV1.jpgFremantle Media.jpgGranada Television.jpgSarah Jane Adventures.jpgThe Bill.jpgTrial and Retribution.jpgHolby City.jpgRDF Media.jpgWorld Productions.jpgCasualty.jpgRadio 4.jpg

 

Sound Bites

"Nothing I write about my journey with Phil can adequately describe his patience, diligence and the wonderful way he has coached and counselled me in all aspects of screenwriting. Phil is an amazing person to work with because if he thinks your work good he tells you so and if not, well he tells you that too, but then immediately goes about working with you to improve. I've learned so much. Thanks Phil." Bev McMullen, Kamloops, British Columbia, Canada

"As senior media executive in the states with over 20 years experience producing TV and running a major TV/Recording Studio I've recently dedicated myself to writing full time... I'm incorporating Phil's work into my original feature projects, and already can see and feel an improvement. And this is just the start for me... I'm thrilled I found Phil... You will be too! Best to all of you..." Andy Kadison, New York, NY

"Phil Gladwin shares to the point technical tips. He joins these with even more valuable insights into how to "tap into" your heart and soul writing. Proven & tested real time exercises get you jump started WHENEVER you need it. Thanks Phil" John Harrison, Castle Rock, Colorado

"The screenwriting goldmine newsletter from Phil Gladwin is the single most useful tool for a screenwriter to have for its straightforward and clear attention to the details of screenwriting that I haven't found in any other workshop or book on the subject. " Keith Tracy, Punta Gorda, FL, USA